Tag Archives: Rafael Viñoly Architects

Bronx County Hall of Justice

Bronx County Hall of Justice reverses centuries of tradition: The aluminum and glass facades are designed for openness and transparency instead of monumental intimidation.

According to the architects, “The image of the courthouse in society was of primary concern in the design of the building. The program is organized in a linear manner around an open civic space and layered from public to private, with the public circulation, animated by a series of cantilevered stairs, facing the open space. Within the courtyard sets a free-standing public building that serves as the jury assembly room, gives scale to the space, and is the symbolic as well as formal focus of the project. The exterior wall design responds to the various functions within and orientations of the building. The curtain wall facing the south and west takes the shape of a folded plane with integrated light shelves that reflect light into the courtrooms and shade the adjacent corridor. The intent is to express the building as open and inviting, a metaphor for the transparency of the judicial process.”

The building is a dazzling contrast to the Bronx Criminal Court, next door, and the Bronx County Building (originally Bronx County Courthouse) at Grand Concourse, just two blocks west.

Despite its openness, the Hall of Justice was built with security in mind: The glass walls are bullet- and blast-resistant.

While the building’s design was exceptional, the construction was anything but. The construction site was contaminated, the low-bidding contractor was disqualified for suspected mob ties, the underground garage was deemed unsafe, and air conditioning for the court computers didn’t work. The four-year, $325 million project stretched accordion-like to six years and $421 million, opening in 2008.

Bronx County Hall of Justice Vital Statistics
Bronx County Hall of Justice Recommended Reading

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Time Warner Center

Time Warner Center was controversial from the moment it was conceived – years before that name was even attached. Now that Time Warner is moving downtown to the Hudson Yards, who knows what new controversies will arise.

The oddly shaped site on Columbus Circle was inherited from the Coliseum, the Robert Moses-sponsored exhibition hall that was partly financed by federal slum clearance funds. Critics contend that the Coliseum was too small when it went up in 1956. In 1985 New York City and the MTA started shopping for a new developer. After nearly 14 years of design, political, and legal battles, Related Companies and Time Warner came up with the winning bid and design.

The project came with challenges: it had to follow the curve of Columbus Circle while aligning with the street grid – including angled Broadway; it had to include a “view corridor” of at least 65 feet; it had to contain less than 2.1 million square feet of space. (Like Grimm’s “Peasant’s Wise Daughter,” commanded to go to the king “neither naked nor clothed, neither walking nor riding, neither on the road nor off it.”)

Time Warner Center is actually five buildings: Offices and television studios for Time Warner; the One Central Park residential condominium tower; the Mandarin Oriental hotel tower; the Jazz at Lincoln Center performance halls; and The Shops at Columbus Center (originally the Palladium). While David Childs of Skidmore, Owings & Merrill was responsible for overall design, each block had its own architectural team. As reported by The New York Times, Rafael Viñoly Architects designed Jazz at Lincoln Center; Perkins & Will, the Time Warner headquarters; Elkus/Manfredi Architects, the Palladium; Brennan Beer Gorman Architects and Hirsch Bedner Associates, the Mandarin Oriental Hotel; and Ismael Leyva Architects and Thad Hayes, One Central Park.

The result, which The New York Times in 2001 termed “like a giant tuning fork vibrating to the zeitgeist,” had mixed reviews. On completion in 2004, The Times gushed, “the building has great glamour. It is far more romantic than the Jazz Age tributes conceived by Mr. Childs in his wanton postmodern youth. With 10 Columbus, the mood is modern noir. The two towers are worthy descendants of Radio City.”

New York Magazine credited Skidmore, Owings & Merrill (SOM) with conquering the complexities, but picked apart the details. “SOM got the big, difficult moves right, but for the success of any building to be complete, design decisions must reinforce each other consistently down the drafting chain. Unfortunately, sometime after the conceptual stages, SOM suffered a failure of attention span.”

Probably all will agree that Time Warner Center (whatever its future name) is a massive improvement over Robert Moses’ Coliseum.

Time Warner Center Vital Statistics
Time Warner Center Recommended Reading

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