Category Archives: Manhattan

Manhattan

Citigroup Center

Citigroup Center is remarkable New York architecture, with an engineering story even more dramatic than its photographs. The distinctive floating tower (renamed 601 Lexington Avenue in 2009) became a scary 59-story lesson for architects, engineers, public officials, lawyers and journalists worldwide.

Two elements make Citigroup (originally Citicorp) Center so distinctive: The southwest-facing 45-degree roof and the nine-story stilt base.

The signature angled roof, unmistakably visible for miles, was designed as a solar collector. A power gauge in the lobby once showed how much electricity was being generated by the sun. Apparently the solar panels were no threat to Con Ed – they’ve since been unplugged.

The stilt base was designed to turn a profit, not heads. It was almost a disaster.

The nucleus of the building’s site was owned by St. Peter’s Lutheran Church, which wanted to sell the land and use the profits to build a new church in a less valuable location. As Citicorp assembled the other pieces of the site, St. Peter’s discovered that they couldn’t locate a suitable new church site. Oops. Citicorp’s solution was to build a new church on the corner, and erect the office tower above the church. (See “Holdouts!: The Buildings That Got in the Way” by Andrew Alpern and Seymour Durst for the full story.)

With the church located on the corner, the tower supports had to be placed at the center of each wall, instead of at the corners. This, in turn, required special bracing to transfer the weight of the building to the piers.

There was a miscalculation. In determining the maximum loads, LeMessurier had considered the effect of winds perpendicular to the facades – but not “quartering” winds that would push against two sides simultaneously. Making matters worse, the steel contractor had substituted bolted joints for the much stronger (but $250,000 more expensive) welded joints that were specified. LeMessurier discovered the error and the bolt substitution a year after the building was completed. The engineer ordered wind tunnel tests and discovered to his horror that the building was vulnerable to winds over 70 m.p.h.

After urgent meetings with Citicorp, LeMessurier ordered two-inch-thick plates to be welded in place over the bolted joints. Welders worked every night for three months in a race against hurricane season. They almost lost: Hurricane Ella was headed for New York on Sept. 1, 1978 but fortunately it turned out to sea, averting a massive evacuation of the neighborhood. (The Red Cross had estimated 200,000 deaths if the building toppled.)

The massive repair project went virtually unreported for 17 years – a newspaper strike hit New York just as the repairs began; The New Yorker broke the story in 1995. Diane Hartley, a Princeton engineering student, was the hero in this drama. In the course of writing her thesis, she had questioned LeMessurier’s calculations – triggering his reevaluation of the design. LeMessurier’s unflinching disclosure of the problem is today used as a case study in professional ethics.

In 2002 the building was reinforced again – this time one of the massive base columns was encased in steel and copper to protect against a terrorist bomb blast.

The engineering crisis overshadowed Citicorp Center’s other impressive features: Double-decker elevators used interior space more efficiently; a tiered, sunken plaza beneath the building’s southwest corner provides space for sidewalk cafes and entry to the subway system; a 410-ton “tuned damper” system in the crown minimizes the building’s wind-induced swaying.

Drama notwithstanding, Citigroup Center is an impressive and attractive addition to New York’s architectural treasure chest, whether viewed from afar, up close or inside.

Citigroup Center Vital Statistics
Citigroup Center Recommended Reading

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21 West Street

21 West Street (aka Le Rivage), a slender 31-story Art Deco landmark, was converted from offices to apartments in 1998. The building complements the adjoining Downtown Athletic Club, designed by the same architects but built five years earlier.

When built in 1931 (at the same time as the Empire State Building), 21 West Street was across the street from the waterfront. Upper-story tenants then had an unobstructed view of the Hudson. Battery Park City was built on landfill placed in 1980 from excavation for the World Trade Center.

The exposed corners of the building are cantilevered, allowing corner windows. The building was promoted as “An office building with glass corners.” The original red window frames have been replaced by a more neutral tan matching the brick surrounds.

Starrett & Van Vleck used different-colored bricks to create a “woven” texture and to accentuate the building’s vertical lines. The Washington Street facade has setbacks at the 10th and 16th floors; all three facades have setbacks above the 21st, 26th, 29th and 30th floors.

21 West Street Vital Statistics
21 West Street Recommended Reading

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Bowling Green Offices

Bowling Green Offices is New York’s only “Hellenic Renaissance” style building.* It’s an architectural style invented by brothers William and George Ardsley as “a free but pure treatment of ancient Greek architecture.”

Whatever the style, it has crisp, lively ornamentation that stands out from its neighbors on “Steamship Row.” (When Bowling Green Offices was built, One Broadway was still a Queen Anne-style red brick building, and the Cunard Building had not yet been built; the Hudson River was just three blocks to the west.)

In plan, the building is U-shaped, with the base at the north, next to the Cunard Building. The light court in the middle of the U is aligned with the light court of One Broadway, the neighbor to the south.

This was the site of high drama: White Star Line, an early tenant, was besieged by worried relatives and friends of passengers aboard The Republic, which had been rammed by the Italian ship Florida in 1909. All passengers were safe in that incident, but three years later the offices were jammed again as news of the Titanic spread. Drama of a different sort hit the building in 1915: Seven elevators simultaneously fell; and seven months later, four elevators repeated the performance.

In 1920, the owners added a 17th floor and, at the north end of the building, a four-story tower.

Architect George Ardsley is better known as an author of 25 books on decorative art, and as a designer of pipe organs – including the famed Wanamaker organ in Philadelphia.

* The only other building in this style was the Layton Art Gallery in Milwaukee, now demolished.

Bowling Green Offices Vital Statistics
Bowling Green Offices Recommended Reading

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Keuffel & Esser Company Building

Keuffel & Esser Company Building, a New York landmark designed by De Lemos & Cordes, is well-preserved Renaissance Revival architecture on Fulton Street.

Like many commercial buildings in lower Manhattan, this has been converted (2010) to residential use – Compass Points Condominiums. “Compass Points” refers to two of Keuffel & Esser’s lines of business: Drafting/drawing instruments and surveying instruments.

Unlike many commercial buildings in lower Manhattan, this facade has been well preserved and restored. The Fulton Street side is the building’s most impressive facade, although the back of the building (42 Ann Street) is actually one story taller.

Architects Theodore W. E. De Lemos and August W. Cordes were successful designers of commercial buildings. Among their accomplishments are the Macy’s department store (original Broadway building), the Siegel-Cooper Department Store (now occupied by Bed Bath & Beyond) on Sixth Avenue, and the original Empire State Building (named for the Empire State Bank), 640 Broadway at Bleecker Street.

Keuffel & Esser Company Building Vital Statistics
Keuffel & Esser Company Building Recommended Reading

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898 Park Avenue

Golden-hued 898 Park Avenue is a wonderful 14-story Romanesque building by the same architect who designed the 19-story Art Deco building across the street: both 1920s structures are luxury cooperative apartments.

(John Sloan also designed the Pershing Square Building, similar in color and style to 898 Park Avenue.)

The facade was restored in 2009; the building lost some of its original terra cotta decoration over the years, but what remains is still impressive and beautiful.

When built, 898 Park Avenue had just eight units according to Luxury Apartment Houses of Manhattan: Six full-floor duplex apartments on the upper floors, a one-floor apartment on the second floor, and a doctor’s suite on the ground floor. According to City Realty’s listing, the building is still limited to only 10 apartments.

At this writing (February 6, 2014), two of those apartments are available: A two-bedroom unit for $6 million and a four-bedroom apartment for $9 million.

898 Park Avenue Vital Statistics
898 Park Avenue Recommended Reading

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Millan House

Millan House (two Ls, please) is a pair of buildings spanning E 67th to E 68th Street, built around a private garden and adorned with a private zoo. If they were built on an avenue – Park or Lexington – this New York architecture would be well known; in their mid-block location they’re a pleasant surprise to passers-by.

The whimsical animals are carved stone, not terra cotta – the building was owned by John D. Rockefeller, Jr., after all. The building is now a cooperative.

Millan House Vital Statistics
Millan House Recommended Reading

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640 Broadway

640 Broadway, designed by DeLemos & Cordes and completed in 1897, is the original Empire State Building – named for the bank that was housed on the ground floor.

DeLemos & Cordes would go on to design much grander buildings – notably the Keuffel & Esser Company Building, Siegel, Cooper & Co. Department Store, and the R.H. Macy & Co. Department Store at Herald Square.

The building’s original commercial tenants – including the Empire State Bank – have long since departed; a Swatch store now occupies the ground floor; upper floors have been converted to loft apartments.

640 Broadway Vital Statistics
640 Broadway Recommended Reading

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Bleecker Tower

Bleecker Tower, originally the Manhattan Savings Institution, is a distinctive red sandstone and brick structure. Its chamfered corner and Romanesque arches are on a massive scale – appropriate for the bank that it was. (Lofts filled the upper stories.)

After mergers with two other banks, Manhattan Savings Institution became Manhattan Savings Bank – and closed the branch at 644 Broadway in the early 1940s. “MSI” remains embossed on the building’s copper pediment.

In the 1970s the owners converted the building to residential lofts; in the 1980s the building was converted again, to luxury loft apartments. In 2000 the owners embarked on a major facade restoration.

Bleecker Tower is in good company: Landmarked Empire State Bank Building is across the street; landmark Bayard-Condict Building is next door.

Bleecker Tower Vital Statistics
Bleecker Tower Recommended Reading

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Bayard-Condict Building

Bayard-Condict Building is New York’s only sample of the Chicago School architecture of Louis H. Sullivan. The 12-story steel-framed, terra-cotta-clad office building was considered a skyscraper when it was completed in 1899. It still glows a warm white at the T intersection of Bleecker and Crosby Streets, thanks to painstaking restoration in 1996.

The six-year, $800,000 project repaired almost 1300 terra cotta tiles; only 30 had to be replaced. In addition, restoration architects Wank Adams Slaving Associates located one of the elaborate original store front column capitals that had been ripped out during an early renovation – and made copies to restore the ground floor to its original design.

Louis Sullivan’s architectural innovation was to abandon the custom of designing and ornamenting buildings in the styles of the past – Beaux Arts, Classical Revival, Romanesque, etc. Instead, he created forms that accentuated a building’s height and structure – thin steel beams instead of massive masonry columns. Decoration, too, was modernized and Americanized.

(It should be noted that the six angels crowning the Bayard-Condict Building were not Sullivan’s idea. They were ordered by Silas Alden Condict.)

The building’s financial form was not as well designed as its facade. New York City’s Landmarks Preservation Commission notes that though the structure’s original name was to be Bayard Building, none of the prominent Bayard family was financially involved. The point became moot when construction delays resulted in a recall of the mortgage: New owners Emmeline and Silas Condict changed the name to Condict Building. A scant five months after the tower’s completion, the Condicts sold it to Charles T. Wills, the builder – who revived the Bayard name.

Bayard-Condict Building Vital Statistics
Bayard-Condict Building Recommended Reading

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Engine Company 33

Engine Company 33 firehouse embodies New York fire department architecture: big, bold, and colorful – like the men who live, work and sometimes die there.

The house dominates Great Jones Street on the block between Lafayette Street and The Bowery. Its monumental limestone Beaux Arts arch, scooped out of the four-story red brick facade like a band shell, recalls the top of New York’s demolished Singer Building. That tower, also designed by Ernest Flagg, was the world’s tallest building when completed in 1909 – 11 years after this firehouse.

The firehouse, now shared by Ladder Company 9, was among the first designed by Flagg. Until 1895, Napoleon Le Brun (and sons) had been the NYFD chief architect; the firm designed 40 firehouses in 16 years.

Tragically, this house lost 10 of its 14 firefighters on September 11, 2001. (The NY Times article was incorrect on this point.)

Engine Company 33 Vital Statistics
Engine Company 33 Recommended Reading

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