Tag Archives: commercial

Broadway Chambers Building

Babe Ruth has a couple of things in common with Cass Gilbert, architect of the Broadway Chambers Building. Both were superstars in their field, and both came to New York via Boston. (But Cass Gilbert came 20 years ahead of the Babe.) *

According to the NYC Landmarks Preservation Commission, St. Paul, Minnesota-based Gilbert became prominent for his 1893 design of the Minnesota State Capitol. That led to an 1896 commission to design a commercial building – the Second Brazer Building – in Boston. Alexander Porter, an investor in that project, was so impressed with Gilbert’s work that he introduced him to Edward Andrews, who happened to be looking for someone to design a new building on Broadway at Chambers Street.

The resulting Broadway Chambers Building, begun in March 1899, was Gilbert’s first project in New York. It was immediately successful – and followed by nine other architectural landmarks by 1936. (Babe Ruth’s career closed in 1935.)

Like other tall buildings of the era, the Broadway Chambers Building was designed like a classical column, with base, shaft, and capital. Gilbert used the then-popular Beaux Arts style of ornamentation, with a twist dictated by Andrews: Color, to make the building stand out among the monochromatic neighbors.

The three-story base is of pink granite; the 11-story shaft is of red and blue brick; and the four-story capital is of beige terra cotta with blue, green, yellow and pink accents, and a green copper cornice. The base and crown are deeply rusticated (the joints between the blocks of granite or terra cotta are deeply incised). The brickwork of the middle floors has bands of raised brick that mimics (in reverse) the rustication.

While the Broadway Chambers Building was Cass Gilbert’s first New York project, his most famous building was erected three blocks south and 13 years later: The Woolworth Building (celebrating its centennial in 1913). Gilbert’s other New York City landmark buildings include: United States Custom House (1907), 90 West Street Building (1907), Rodin Studios (1917), New York Life Insurance Company (1928), 130 W30th Street (1928), Audubon Terrace auditorium and art gallery (1928), New York County Lawyers’ Association (1930), and United States Courthouse (1936 – completed after Gilbert’s death in 1934).

* OK, I know I just gave architects and architectural historians massive heart attacks by coupling a great architect with a mere baseball player. I accept that I am forever banned from the Society of Architectural Historians and the American Institute of Architects. But this is a website aimed at non-professionals.

Broadway Chambers Building Vital Statistics
  • Location: 277 Broadway at Chambers Street
  • Year completed: 1900
  • Architect: Cass Gilbert
  • Floors: 18
  • Style: Beaux Arts
  • New York City Landmark: 1992
Broadway Chambers Building Suggested Reading

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Woolworth Building

The Woolworth Building is a landmark of architecture, as well as of New York, and celebrates its centennial in 2013. Take a good look while you can – new tower construction is fast crowding Cass Gilbert’s elegant tower from the west and south; City Hall Park may soon be the only place from which to see the building in all its glory.

The Woolworth Building has several claims to fame: It was the world’s tallest building from 1913 to 1929; it was officially opened by then-President Woodrow Wilson; it became the prototype “romantic skyscraper”; it is considered Cass Gilbert’s finest work; it is a New York City Landmark and in the National Register of Historic Places. However, it didn’t start out to be any of those things.

Frank Woolworth’s original plan in 1910, according to the NYC Landmarks Preservation Commission, was for a “standard twelve- to sixteen story office building” to be shared with Irving National Bank’s headquarters. But toward the end of the year Woolworth began to raise his sights, first to build higher than his immediate neighbors, and finally to build the world’s tallest building, for the advertising value.

Architect Cass Gilbert was already acclaimed for designing “the last word” in tripartite (base-shaft-capital) buildings, the Broadway Chambers Building, three blocks north. But he abandoned that scheme to create what became known as a “romantic skyscraper” which celebrated rather than hid its steel frame construction. Gilbert used Gothic-styled terra cotta detailing to accentuate the Woolworth Building’s verticality and to emphasize the steel frame, but it was Gothic inspired by civic buildings, not churches. Gilbert was said to be annoyed with references to the Woolworth Building being a “Cathedral of Commerce.”

To maximize rental space, Gilbert’s facade minimized the use of columns, pilasters and arcades that would cast deep shadows and help define the building’s shape. Instead, he used colored accents to give the illusion of deeper shadows and strong vertical lines.

Although best known for its soaring addition to the New York skyline, the ground floor interior is every bit as inspiring – spectacular, in fact. It’s one of the few interior spaces to be designated a New York City Landmark. There are occasional tours by architectural societies. In addition, the building now permits photography (no flash or tripods) on a limited basis – for a $10 fee.

For some behind-the-scenes photos of the Woolworth Building interior, visit the photo links under “Woolworth Building Suggested Reading.”

Cass Gilbert fans will find four or five other of the architect’s landmarks within walking distance: Thurgood Marshall United States Courthouse (Centre Street at St. Andrews Plaza), Broadway Chambers Building (Broadway at Chambers Street), New York County Lawyers Association (Vesey Street between Broadway and Church Street), 90 West Street Building (West Street between Albany and Cedar Streets), and – if you don’t mind a little exercise – the Alexander Hamilton Custom House (1 Bowling Green – at the foot of Broadway).

Woolworth Building Vital Statistics
  • Location: 233 Broadway between Barclay Street and Park Place
  • Year completed: 1913
  • Architect: Cass Gilbert
  • Floors: 60*
  • Style: Gothic
  • New York City Landmark: 1983
  • National Register of Historic Places: 1966

* The official 60 floors requires a little fudging; the top five stories – in the pyramidal roof – are not habitable; the floor numbers have unexplained gaps (e.g., no 42nd floor).

Woolworth Building Suggested Reading

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Engine Company 31

Engine Company 31 is the most elaborate of Napoleon LeBrun’s firehouse designs, and was derided as “a manifestly extravagant absurdity.” Extravagant or not, it’s certainly impressive.

Engine Company 31 moved in during 1895 after New York City sold the unit’s old home to New York Life Insurance Company. The Fire Department left the building in 1970 and Engine Company 31 was ultimately disbanded in 1972. The Downtown Community Television Center now uses the building as a studio and production center.

Engine Company 31 Vital Statistics
  • Location: 87 Lafayette Street at White Street
  • Year completed: 1895
  • Architect: Napoleon LeBrun & Sons
  • Floors: 3
  • Style: Loire Valley Chateau
  • New York City Landmark: 1966
  • National Register of Historic Places: 1972
Engine Company 31 Suggested Reading

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Roosevelt Building

You’d think that the Roosevelt Building would be a NYC landmark, since it was actually in the Roosevelt family, had a famous movie studio tenant, and exceptional architecture. But it isn’t. Yet?

Teddy Roosevelt’s grandfather, Cornelius, owned the land under this building until his death in 1871. His heirs built the building as the neighborhood changed from residential to commercial. For a time, the structure was known as the Hackett Carhart Building, for a major tenant.

While most of the early tenants – including Hackett Carhart – were men’s wear manufacturers, Biograph Studios also had space here, and a revolving (to follow the sun) studio on the roof. This is where director D.W. Griffith got his start.

Roosevelt Building Vital Statistics
  • Location: 841 Broadway at E 13th Street
  • Year completed: 1894
  • Architect: Stephen D. Hatch
  • Floors: 8
  • Style: Romanesque Revival
Roosevelt Building Suggested Reading

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Nelson Tower

Nelson Tower (after Julius Nelson, the developer) is one of the tallest buildings in the Garment District, built at a time when everyone seemed to be racing to be tallest. The building’s architect, H. Craig Severance, also designed 40 Wall Street – one of the “world’s tallest” contenders of the day. Alas, 60-story One Penn Plaza now looms over 46-story Nelson Tower from across 34th Street.

The distinctive white crown can be seen throughout the neighborhood; polychrome brick spandrels enhance the vertical lines.

Other prominent buildings designed by H. Craig Severance include 40 Wall Street (aka The Trump Building, Bank of Manhattan Trust Building), Taft Hotel, and the Montague-Court Building.

Nelson Tower Vital Statistics
  • Location: 450 Seventh Avenue between W 34th and W 35th Streets
  • Year completed: 1931
  • Architect: H. Craig Severance
  • Floors: 46
  • Style: Art Deco
Nelson Tower Suggested Reading

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Five Penn Plaza

Five Penn Plaza is overshadowed now, but as the Printing Crafts Building it was the “tallest and most imposing business structure on Eighth Avenue” [The New York Times] when built in 1916. Today, the gilt panels of former tenants recall the structure’s history.

It was conceived as the nation’s largest printing/publishing building, with 10 floors devoted to presses and binderies, and 12 floors for stockrooms and offices of publishers and ad agencies. Proximity to the main post office and Penn Station were key ingredients of the building’s success.

Despite the building’s age, it has been modernized with “green” technology (LEED-certified silver) and multiple fiber optic lines.

Five Penn Plaza Vital Statistics
Five Penn Plaza Recommended Reading

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135 East 57th Street

135 East 57th Street breaks the mold by breaking the building line – biting off the sacred corner to create a plaza backed by a concave tower.

Coincidentally, the 31-story tower complements 30-story International Plaza two blocks north – which has similar coloration and was also completed in 1988. The New York Times observed, “…together the buildings engage in a wonderful, even witty, piece of inadvertent dialogue on the cityscape.”

135 East 57th Street Vital Statistics
135 East 57th Street Recommended Reading

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425 Lexington Avenue

425 Lexington Avenue bears the unmistakable earmarks of Helmut Jahn – strong colors, glass and stone, unusual forms. But it would be architecture better received if built anywhere but amidst New York landmarks Chrysler Building, Grand Central Terminal, Chanin Building, etc.

Architectural critics such as Carter Horsley (The City Review) and Norval/White (“AIA Guide to New York City”) pick on the tower’s “squashed” top. Said Horsley: “…the building’s zany top looks Roto-Rooterized, a squished foil to the irrepressible upward thrust of the Chrysler Building just across 43rd Street.” To which Norval/White adds, “…an ugly dwarf next to the venerable reality of the adjacent Chrysler Building.” (I like it, but what do I know?)

But Horsley concludes, “Hopefully, New York developers will continue to let Jahn do his thing until he gets it right for he’s formidable. He is a fine high-tech stylist.”

Murphy/Jahn has similarly styled buildings uptown: International Plaza and Park Avenue Tower. (His other New York designs include CitySpire and the America apartment tower.)

425 Lexington Avenue Vital Statistics
425 Lexington Avenue Recommended Reading

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17 State Street

17 State Street is a stunning curved mirror-glass tower opposite Battery Park, framed in aluminum. The curved facade is not just for theatrics: that’s the shape of the lot, where State Street decides to switch from running north-south to east-west. The building floor plan resembles a quarter of a pie. Up close, you’ll also notice that there is no real first floor – just a glass-enclosed lobby (much like the Lever Building) and elevators; the building rests on cross-braced aluminum-clad columns.

The site has some history: it was the site of the Seaman’s Church Institute, and also the site of the house where Herman Melville was born, in 1819.

17 State Street Vital Statistics
17 State Street Recommended Reading

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Flatiron Building

The Flatiron Building isn’t the only triangular building in New York, but it’s undoubtedly the best recognized – perhaps for its ornate decoration as well as for its quirky shape.

The 21-story steel-frame skyscraper is at the northern end of the Ladies Mile shopping district, considered “uptown” when built in 1902. Folk lore has it that those ladies were frequent victims of the Flatiron Building: It created unpredictable winds that sent skirts billowing. Police had to disperse oglers – coining the phrase “23 skidoo” in the process.

Like other early skyscrapers, Flatiron Building had a tripartite design – modeled after a classical column with a distinct base, shaft and capital. All three facades are ornamented from top to bottom – including statuary at the 21st floor.

The building’s owner, George A. Fuller, insisted on the glass-and-iron “cowcatcher” store – over the objections of the architect. And apparently the 21st floor penthouse was also a last-minute addition; the building’s elevators only go up to 20.

If you think the Flatiron Building is quirky on the outside, read The New York Times’ column about life on the inside.

Flatiron Building is just one of more than two dozen architectural landmarks within a few blocks radius. Flatiron 23rd Street Partnership conducts free walking tours every Sunday at 11 a.m. – meet at the SW corner of Madison Square Park, in front of the William Seward statue. (You may also enjoy our earlier gallery, “Flatiron Building and Vicinity.”)

Flatiron Building Vital Statistics
Flatiron Building Recommended Reading

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