Tag Archives: residential

322 Central Park West

322 Central Park West is the only work of prolific New York architects George and Edward Blum to be located on Central Park West. The Blum brothers designed many Upper West Side apartment houses – why only one on CPW? Possibly because the avenue was slower to develop than other streets. The biggest park-side landmarks were erected at or after the end of the Blums’ practice.

The 15-story building rests on a three-story limestone-block base; its ornately carved, arched entrance is on W 92nd Street. As in many Blum apartment buildings, windows on the top three stories have elaborate terra cotta surrounds.

322 Central Park West has 49 apartments, and became a cooperative in 1962.

322 Central Park West Vital Statistics
322 Central Park West Recommended Reading

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279 Central Park West

279 Central Park West, completed in 1988, is among the youngest buildings on the avenue, yet it is part of New York’s Upper West Side/Central Park West Historic District. I suspect that it’s included because it was easier for the NYC Landmarks Preservation Commission to leave the building in the district than to specifically exclude it.

The architect, Constantine Kondylis, is often associated with Donald Trump projects (including Trump International Hotel and Tower at the foot of Central Park West). But 279 Central Park West is a far cry from the black or gold glass boxes that The Donald is fond of.

As a modern building, it lacks the ornate facades typical of the district, but 279 is still pleasing for its three-story limestone base, inset bay windows, curved corner windows, and eight terraced setbacks. Thanks to luxury amenities and location (or in spite of location, if one doesn’t want to be so far uptown), apartments in this condo have million-dollar price tags. Or you can rent. At this writing, there’s a three-bedroom, 2,855 sq. ft. duplex available for just $22,000 a month.

279 Central Park West Vital Statistics
279 Central Park West Recommended Reading

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Kenilworth

The Kenilworth has an impressive entry flanked by banded columns reminiscent of the Prasada and the Lucerne. Last of the Second Empire-style buildings to be built on Central Park West, remarkably the structure looks unchanged from 1908, except that the wood-frame windows were replaced.

Even the interiors have been preserved. Architectural historian Andrew Alpern wrote, “The Kenilworth has three apartments on each floor, two of which are of a modified long-hall variety. While not exceptional in their planning or appointments, these suites have been kept surprisingly intact.” (New York’s Fabulous Luxury Apartments: With Original Floor Plans from the Dakota, River House, Olympic Tower and Other Great Buildings)

Overshadowed by neighboring San Remo apartments, the 12-story Kenilworth was built without the benefit of a steel frame, or the 1929 building code that liberalized residential height restrictions. The structure’s limestone and red brick walls actually hold the building up, they’re not just for appearance.

Speaking of appearance, the heavy contrasting ornamentation and copper-trimmed slate mansard roof give the building presence beyond its mere dozen stories. The two-story columns and dry moat are just icing on the cake.

The Kenilworth was converted to a cooperative in 1957.

Kenilworth Vital Statistics
Kenilworth Recommended Reading

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San Remo

San Remo is one of the high points – literally and figuratively – of the Central Park West skyline, and of the career of architect Emery Roth. The NYC Landmarks Preservation Commission (LPC) gushed that the building “…epitomizes Roth’s ability to combine the traditional with the modern, an urbane amalgam of luxury and convenience, decorum and drama.”

Following closely after his triple-towered Beresford (1928), San Remo became the first twin-towered apartment building on the avenue. But where the 22-story Beresford’s stubby “towers” were mainly to hide water tanks, 27-story San Remo’s towers had 14 floors of deluxe apartments. This was possible because a new (1929) building code raised the height limit for residential buildings.

Roth also designed the Oliver Cromwell (1928) on W 72nd Street, was a consultant on the twin-towered El Dorado (1931), and designed the Normandy Apartments (1938) on Riverside Drive.

The San Remo was praised by architectural critics for its height, for the classical Greek-styled “temples” atop the towers, and for the “foyer plan” that minimized hallways.

“Despite its popular success,” said the LPC, the property “…fell prey to the pervasive economic mayhem of the 1930s. A full year after it had officially opened, nearly a third of its apartments remained vacant, and the Bank of the United States which held its $5 million mortgage had collapsed, its officers charged with recklessly ‘gambling’ on the San Remo.”

The building bounced from one owner to another via bankruptcy until 1940, when San Remo and Beresford were sold in a package for $25,000 over the mortgage. Now, individual apartments cost tens of millions of dollars.

San Remo Vital Statistics
San Remo Recommended Reading

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Majestic

The Majestic Apartments, like sister building The Century, is a scaled-down version of Irwin Chanin’s original concept. Nonetheless, it is a New York architectural landmark for its Art Deco style – simultaneously bold and austere.

According to the NYC Landmarks Preservation Commission (LPC), Chanin envisioned a 45-story full-service apartment hotel for the site. The single-tower design was to replace the Hotel Majestic of 1894. The stock market crash changed all that; The Majestic became a twin-towered 32-story apartment house. Chanin’s “experimental” use of Art Deco in a residential context was stripped to its essentials, relying almost entirely on economic brickwork for ornamentation.

The design contrasts with even his own Art Deco commercial design, the 1929 Chanin Building. The office tower employed marble, bronze and terra cotta ornamentation of the base and tower. (Although the Chanin Building was designed by the Sloan & Robertson firm, Chanin supervised the exterior detailing, the LPC said.)

The Majestic’s cantilevered steel frame was an important innovation, which made wraparound “solaria” windows possible.

The building became a cooperative in 1958.

The Majestic Vital Statistics
The Majestic Recommended Reading

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Century

The Century Apartments is among New York’s finest examples of Art Deco and residential architecture, and a nationally-recognized landmark. Yet it was only the architect’s “Plan B”!

The building is one of a pair of twin-towered Art Deco landmarks (the other is The Majestic) designed and built by Irwin S. Chanin along Central Park West. Both were constructed almost simultaneously, though The Majestic started and opened earlier. Both buildings were named for their predecessors – Century Theatre and Hotel Majestic. And both buildings used then-innovative cantilevered steel frames that allowed corner windows.

According to the NYC Landmarks Preservation Commission report, Chanin considered The Century to be the finer of the two buildings. But the structure is a far cry from what Chanin had envisioned. He had purchased the entire block and in 1929 proposed a 65-story “Palais de France.” The office and hotel tower were to house the French consulate and tourist board, offices of French commercial firms, three stories of exhibition space for French goods, and shops on the ground floor. Chanin failed to secure financing from French banks, however, and he abandoned Palais de France in 1930. The Century was half as tall and half the area of Chanin’s dream.

The building’s apartments were scaled down from those of The Majestic because of the difficulty in renting large apartments during the Depression. Originally the structure held 417 suites in 52 different layouts. Over the years, some apartments have been combined; the building now has about 350 units.

An investment group purchased The Century in 1982 and attempted to turn it co-op. The NY Attorney General nixed the deal, but in 1989 a condominium conversion passed after a long, bitter battle with tenants.

The Century has been home to numerous celebrities, but the most recent celebrities paid no rent: Peregrine Falcons nesting in the south tower!

The Century Vital Statistics
The Century Recommended Reading

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444 Central Park West

444 Central Park West is a distinctive Manhattan Valley apartment building that easily dominates the block. The 19-story Romanesque structure towers over its six- and seven-story neighbors, and its inventive facade of brick and terra cotta over a limestone base stands out from the crowd.*

The design is the work of Emery Roth alumni Russell Boak and Hyman Paris. The duo were active 1927-1942, with their most noteworthy work designed in the late 1930s.

The building was converted to a co-op in 1976.

* Not that Manhattan Valley is dull. A block north, the landmarked former New York Cancer Hospital is a stunning condo conversion.

444 Central Park West Vital Statistics
444 Central Park West Recommended Reading

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215 E 68th Street

215 E 68th Street found the Fountain of Youth. The 33-story apartment tower was built in 1962 with a then-popular white brick facade. But time was not kind. Not only did white brick become passé; after 50 years, the brickwork needed extensive repair or replacement. Owners opted to tear down the brick and replace it with white terra cotta panels accented by bands of black and gray.

Terra cotta reigned as the decorative material of choice from 1880 through the 1950s. Sometimes whole buildings – notably the Woolworth Building and Alwyn Court Apartments – were clad in the material. Then International Style and Postmodernism replaced masonry with glass and steel, and terra cotta all but disappeared.

In 215 E 68th Street, the material finds a second life – as a replacement for brick. Facade designer BCRA explained, “New terracotta cladding is approximately 1/3 the weight of new brick and has no mortar joints or seals that will require future maintenance. The new system design reduced the amount of fasteners by 50%, which helped to keep construction noise during installation to a minimum for residents. The cavity within the new overcladding uses an air gap and 3″ insulation that greatly improved the thermal performance of the new wall by over three times the original.”

The result is a distinctive apartment building with the appearance of new construction. Now if only we aging apartment dwellers could change our skin….

215 E 68th Street Vital Statistics
215 E 68th Street Recommended Reading

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The Dakota – A History of the World’s Best-Known Apartment Building

The Dakota – and indeed NYC apartment life – is beautifully illuminated by Andrew Alpern’s new “History of the World’s Best-Known Apartment Building.” The noted architectural historian presents the most comprehensive history of The Dakota imaginable! Mr. Alpern documents the building, its builder (and family!), the architect, the neighborhood, the architectural and historical context, and even the Dakota’s residents. Fascinating reading that illuminates not only The Dakota, but also the world of apartment living in New York City.

I’m deeply honored by Mr. Alpern’s use of my photography (from the Dakota Apartments gallery) in this volume.

Williamsburgh Savings Bank (Tower)

Williamsburgh Savings Bank is New York architecture that entertains from afar – and from close up. The tower’s graceful taper dominates the Brooklyn skyline for miles; the Rene Chambellan sculpture around the base fascinates passers-by. More sculpture, mosaics, and majestic vaulted ceilings overwhelm visitors inside.

The landmark fulfills architect Robert Helmer’s wish that the tower “be regarded as a cathedral dedicated to the furtherance of thrift and prosperity of the community it serves.” Not bad for a tiny bank that started out in the basement of a (now-demolished) church in 1851, before Williamsburgh dropped the “h” from its name.

Architects Halsey, McCormack & Helmer specialized in banks, so it is a little ironic that one of the firm’s non-bank buildings was the Central Methodist Episcopal Church – right next door to their “cathedral of thrift.”

The building is based on a steel “portal frame” – a special structure designed to support the weight of the massive tower above the equally massive void of the banking hall. (Think of this as a 35-story office building on top of a six-story church.) The bank insisted – over the architects’ objections – on a gilded dome as a crown for the tower. The dome was an architectural reference to Williamsburgh Savings Bank’s original headquarters in downtown Williamsburg.

When built, this was the tallest building in Brooklyn, and the clock was the largest four-sided clock tower in the world. “Brooklyn’s wristwatch” sometimes had trouble keeping time, but it seems to have been fixed. Although this was its headquarters, Williamsburgh Savings Bank only used two floors (above the banking level) as offices. The rest of the tower was rented – and for some reason, mostly to dentists!

Williamsburgh Savings Bank was acquired by Republic National Bank, and then merged into HSBC. In 2005, a partnership of the Dermot Company and Canyon-Johnson Urban Funds bought the tower. The lower floors were converted to Skylight One Hanson – event space – while the upper floors became 1 Hanson Place luxury condominiums.

The tower has the distinction of being triple-designated by the NYC Landmarks Preservation Commission: as an individual landmark (1977), as part of an historic district (1978), and as an interior landmark (1996).

Urban Omnibus has an exceptional narrative on the building’s history.

Williamsburgh Savings Bank Vital Statistics
Williamsburgh Savings Bank Recommended Reading

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