Tag Archives: Art Deco

Empire State Building

The Empire State Building is still New York City’s most-visited landmark, even though it lost “world’s tallest skyscraper” title in 1972. The building claims four million visitors a year to its 86th and 102nd floor observatories; the building reputedly makes more money from observatory ticket sales than from rents.

Books have been written about the Empire State Building (one of the best is linked below) – we’ll just hit the highlights here:

  • The land under the Empire State Building is part of a six-square-block tract that the City sold to John Thompson for $2,600 in 1799. He farmed the land, and sold it for $10,000 in 1825. Two years later William B. Astor bought the farm for $20,500. In 1859 and 1862 the Astors built two mansions on the plot now occupied by the Empire State Building. In 1893 and 1897 those mansions were demolished to make way for the Waldorf Hotel and Astoria Hotel, which were operated jointly as the Waldorf-Astoria. In 1928 the Bethlehem Engineering Corporation bought the properties for $20 million.
  • General Motors executive John J. Raskob set up The Empire State Corporation in 1929, with four-time New York Governor (and Democratic presidential candidate) Al Smith as President.
  • It took five months to demolish the Waldorf-Astoria Hotel; two months to excavate the site for construction; 13 months to build the Empire State Building.
  • Architects Shreve, Lamb and Harmon produced drawings for the Empire State Building in just two weeks – based on their earlier designs for the Reynolds Building (Winston-Salem, NC) and Carew Tower (Cincinnati, OH).
  • Under budget: The Empire State Building was erected in less time (13.5 months vs 18 months) and for less money ($24.7 million vs $43 million) than budgeted.
  • President Hoover officially opened the Empire State Building by pushing a button in Washington, D.C. on May 1, 1931. (May 1 was the traditional lease-signing day in New York City.)
  • Bad timing: The building opened during the Great Depression, and for years was derided as the “Empty State Building” for lack of tenants.
  • Lights: The Empire State Building has always used lights to attract attention. A November, 1932 beacon celebrated the election of Franklin D. Roosevelt as President. In May, 1956, four “Freedom Lights” beacons were installed. In 1964 the building installed floodlights, commemorating the New York World’s Fair. In November 2012, the Empire State Building switched on LED lights, replacing the floodlights.
  • 1933: “King Kong” is released.
  • 1945: An Army Air Force B-25 bomber en route to Newark swerved to miss the fog-shrouded Chrysler Building – and crashed into the 79th floor of the Empire State Building.
  • 1950: The Empire State Building grew 217 feet via a new broadcast antenna, after the FCC ordered an end to NBC’s exclusive use of the tower.
  • 1978: First Annual ESB Run-Up competition. Record time: 9 minutes, 33 seconds from ground floor to 86th floor.
Empire State Building Vital Statistics
Empire State Building Recommended Reading

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Brooklyn Public Library

Brooklyn Public Library’s Central Library was 35 years in the making – a case of municipal overreaching. Brooklyn’s pride was on the line – former Brooklyn Mayor David A. Boody was the library president. The grandiose plan began in 1906 with sending the chief architect, the consulting architect and the chief librarian to Europe for a 19-city tour to study 24 libraries. The following year, architect Raymond F. Almirall proposed a Beaux Arts design. The library’s board and the city’s Municipal Art Commission approved the plans, but construction didn’t begin until 1911.

Financial support soon became a political issue, and as early as 1914 city administrations were balking at paying the library’s enormous cost. In October 1930 – 19 years after groundbreaking – the library was only one third complete.

A new library administration in 1933 abandoned the grandiose four-story Beaux Arts design in favor of a less expensive three-story modern plan. In 1935 the directors chose new architects: Alfred Morton Githens and Francis Keally. They unveiled new plans in 1937; the city approved the plans in 1938, and construction resumed in 1939. Githens and Keally used the foundations and first three floors of the steel frame, but scrapped most of the existing masonry and ornament. In just under two years, they completed the project.

Brooklyn Public Library Vital Statistics
Brooklyn Public Library Recommended Reading

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The Carlyle

The Carlyle Hotel and Carlyle House are next door neighbors on Madison Avenue, both designed by architects Bien & Prince and so closely matched you might not notice that they’re separate buildings. The hotel has the 40-story green-and-gilt-capped tower – and gilt-edged history to go with it.

The yellow brick and limestone buildings had an inauspicious start: Just two years after their 1930 opening, the hotel and apartment building were auctioned off, victims of the 1929 stock market crash. New owners kept the properties afloat financially, and in 1948 sold to Robert Whittle Downing. Downing is credited with turning The Carlyle into an elegant, fashionable address.

U.S. Presidents from Harry Truman to Bill Clinton visited The Carlyle, but President Kennedy made it the “New York White House.” He had purchased an apartment in The Carlyle’s tower when he was a Senator. You can spot the apartment today by the breakfast nook that sticks out of the north side of the tower.

Kennedy wasn’t alone in modifying the tower – scan the facades and you’ll find a number of irregular windows.

Today, the hotel tower contains 180 guest rooms and suites, and 60 privately owned residences. The apartment building has 43 residences.

The Carlyle Vital Statistics
The Carlyle Recommended Reading

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210 E 68th Street

There are plenty of more imposing buildings on Third Avenue – Trump Palace is on the next block – but 210 E 68th Street stands out at street level because of its colorful Art Deco accents and orange brickwork.

The 1929 apartment building was designed by George and Edward Blum, prolific architects who have more than 120 apartment buildings to their credit (not even counting their office and loft buildings). Alas, this was one of their last two buildings (the other is at 235 East 22nd Street).

The New York Times architecture critic Christopher Gray suggests a rationale for these apartments’ unusual color and decoration: “Perhaps because [the Blums] were fighting the hulking Third Avenue elevated train nearby, they used giant zigzag stripes of contrasting brick running across the front like World War I naval camouflage.” (The Third Avenue El was closed in 1955.)

210 E 68th Street Vital Statistics
210 E 68th Street Recommended Reading

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Madison Belmont Building

The Madison Belmont Building was a prominent addition to the young “Silk District,” commercial buildings serving the silk industry that replaced the mansions of uptown-bound wealthy New Yorkers. It was among the first in the U.S. to use Art Deco design elements, according to the NYC Landmarks Preservation Commission. The overall design, however, was traditional. Like other tall buildings of the time, the Madison Belmont Building had a base – shaft – capital organization mimicking a classical column.

Although architect Whitney Warren had been exposed to Art Deco concepts while in Paris, it appears that prime tenant Cheney Silk Company also influenced the design. The company had a relationship with Edgar Brandt, a pioneer of the Art Deco style in Paris. Warren picked Brandt to design the iron and bronze framing around the showroom windows of the lower three floors, as well as the entrance doors and grilles.

The white 18th floor was added in 1953 – 29 years after the original construction.

Despite the Madison Belmont Building’s pioneering role, architects Warren & Wetmore are better known for their neo-Renaissance and Beaux Arts works, such as the New York Yacht Club, Grand Central Terminal, New York Central Building (aka Helmsley Building), Steinway Hall, Aeolian, and Heckscher Building (aka Crown Building).

Madison Belmont Building Vital Statistics
Madison Belmont Building Recommended Reading

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261 Fifth Avenue

261 Fifth Avenue replaced six houses from the mid-1800s; it was used primarily as showrooms and offices of companies in the housewares and carpet industries, according to the NYC Landmarks Preservation Commission.

The commission also notes that the striking bold terra cotta ornament used by architect Ely Jacques Kahn had “similarities to motifs used by Frank Lloyd Wright.” Which leads to a small bit of irony: Frank Lloyd Wright was the inspiration for Howard Roark, the hero architect in Ayn Rand’s novel “Fountainhead.” But Ayn Rand worked for Kahn (as an unpaid typist) while she was researching the book; she is quoted as saying of Kahn, “As a type, he was Guy Francon.” (Francon was a sycophant in the novel.)

261 Fifth Avenue Vital Statistics
261 Fifth Avenue Recommended Reading

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275 Madison Avenue

275 Madison Avenue (originally known as 22 E 40th Street) is an Art Deco landmark in midtown Manhattan. Its polished black granite and silver base continues to be a striking presence more than three quarters of a century after construction. (If only mere mortals had such staying power!)

In contrast to other commercial buildings of the day, 275 Madison had almost no decoration above the base. The tower was promoted as a “shadowless” skyscraper (because there were no projecting cornices, sculptures or other features to cast shadows), though some critics say the lack of ornament was simply a cost-saving measure dictated by the stock market crash. The building’s vertical lines are accentuated by dark columns of windows against a white-brick background.

Architect Kenneth Franzheim is best known for his work in Houston, for Houston-based developer Jesse Jones. It was Jones’ New York-based firm, Houston Properties Corporation, that developed 275 Madison Avenue with New York Trust as the prime tenant. (The bank owned two of the five lots used to build the tower.) In 1933, Johns-Manville Corporation leased 14 floors, so the structure is sometimes called the Johns-Manville Building. However, Johns-Manville already had its own building a block away, on Madison Avenue at E 41st Street.

Despite 275 Madison Avenue’s address, the tower’s main entrance is actually on E 40th Street – and the building was originally known as 22 E 40th Street.

At this writing, 275 Madison Ave. is owned by RFR Realty.

275 Madison Avenue Vital Statistics
275 Madison Avenue Recommended Reading

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Towne House

Towne House stands out in the Murray Hill Historic District. Amid blocks of low rise brownstones, Towne House towers 25 floors in Art Deco brick. It replaced five mid-1800s row houses, and touched off a lawsuit by neighbors who tried to block construction.

Despite its height and architectural style, at street level the building does blend in with the block; the most remarkable aspect is Towne House’s colorfully detailed tower, which catches the eye from blocks around.

Towne House Vital Statistics
Towne House Recommended Reading

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Chanin Building

Chanin Building is among New York’s most prominent Art Deco towers (and cater-corner from the most prominent, the Chrysler Building). It was designed by Sloan & Robertson, who also designed the Art Deco Graybar Building, on the next block.

The Chanin Building’s base and its lobby are boldly decorated with terra cotta and bronze. The first story, dedicated to retail shops, is clad in Belgian black marble. That is topped by a bronze frieze depicting evolution from low marine life forms to fish and birds. Two floors of bronze-framed casement windows, set between limestone piers, come next. The fourth floor is clad in a floral patterned terra cotta band. Fourth floor windows align with the bays above, creating vertical lines to emphasize the structure’s height.

One critic – Carter B. Horsley writing in City Review – observed, “It is interesting to note that the Chrysler Building has the city’s greatest crown but a rather prosaic base. Imagine if it had the base of the Chanin Building, or vice versa?”

Above the base, the Chanin Building’s form was largely dictated by New York City’s 1916 zoning law, which required setbacks proportional to the width of the facing streets. From the 17th to the 29th floor the building tapers to a 22-story slab tower, capped by a four-story buttressed crown. The 50th and 51st floors originally held a theater (one line of Chanin’s businesses), and the 54th floor had an open-air observatory. The tower was once (briefly) the third-tallest in New York. Now, it is rarely appreciated.

Chanin the owner was every bit as impressive as Chanin the building – you can read more in the Landmarks Commission’s designation report and in The New York Times article.

Chanin Building Vital Statistics
Chanin Building Recommended Reading

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Geometrics

Geometrics is a gallery of New York architecture photos that I like for their strong lines and colors. Photos that are eye candy, more than documentary.

Click the Fullscreen link above the photos, and then the Play icon at the bottom, for a full screen slideshow. Press Esc to return to normal.

From time to time I’ll be adding to or changing this gallery, so if you’re a fan of geometry in architecture, please come back to visit.

In case you’re curious, the list below are the names and locations of buildings used in this gallery. Most are buildings that have their own individual galleries – click the links to explore.

Geometrics Buildings